Re-Writing The Past


Acrylic, watercolour, and marker on canvas
180 x 160 cm
2017    

I don’t intentionally paint the history of women opposite the dominant masculinity; my way is more to understand the world femininity itself. Nature and its entity as a woman merge in its longing to be intimate again with nature body-ness or with earth whose intimacy has been spread thin as a result of exploitative competitions. Human exploits nature. That is a fact that happens everywhere. Ironically, the exploitation that make human worry is actually for the sake of the very human to have a place to live, food to eat, and to have the most comfortable social relation. Nature exploitation has contributed to the complete relation rift. 
   

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